|Youth Counsellor Nancy Mweene and I on set filming our|
episode. Photo Credit: PR Girl
Thursday, 22 September 2016
I expressed in Part 1 what a mind*bleep* filming this episode of the vanguard television series produced by Samba Yonga for BBC Media Action was. Even though this post is part of my Things on Thursday series, this is no small thing let me tell you. Are they ever with me ;)?
I think the most shocking part of the experience for me was the fact that a father felt that it was okay to stick his penis inside his daughter's vagina to teach her about how sex is not to be taken lightly and that she was too young to have intercourse. That he was able to get aroused in order to penetrate her. That despite her cries he still went on to rape her. The despicable act was in no way consensual on her part. That he then ejaculated into his hands so he could mix his sperm with traditional herbs in order to make some juju concoction to rub on her stomach, so if she did have sex, she would get stuck to the dastardly boy who was in cahoots with her, so they could catch them both in the act and reprimand them accordingly! You can't make this kind of crackpot crazy up! I. JUST. CAN'T. As far as I know, the girl did not contract an STD or worse ended up pregnant only to be come the mother/ sister to her brother-incest child! It is pure luck that her once innocent soul was not forced to suffer any more than it already has been burdened with.
I could not express myself quite that bluntly on camera, as Zambia is still in the dark ages. We couldn't even use scientific, technical terms in order to really depict just how heinous a situation this poor young girl was in and what trauma she faced. I am known to not have any brakes, but I was not going to jeopardise the initiative by not finding a way to get this important message out. Her story was more important than any agenda of mine. I was quite annoyed I couldn't quite articulate myself as clearly and as freely as censorship is a huge part of the problem. We need to talk openly about sex because clearly we are having it and it was revealed as the Tikambe Natulande season unfolded that children much younger than 10 are experimenting, because we aren't creating safe spaces to chat about this natural and important part of our lives. This is almost a year since I filmed the episode and I am still shaken, angry and disturbed that this is not a singular case, but there are thousands around the country being disciplined along this spectrum of sexual perversion in the name of tradition and good parenting. This is not who we are. We are so lost in Zambia that those with any sort of power abuse it in the most devious and evil ways. We have to do better. What future do we have if our youth are continuously blighted by the most unnecessary of traumas. Unadulterated, blunt, uncensored truth serum is required to not only be prescribed, but actually dispensed in bucketloads like Cod Liver Oil. Not teaspoons or tablespoons but bucketloads. It won't go down well, but it will be good for us. We just need to suck it up and get on with curing ourselves of this hush hush syndrome that is crippling us.
Here is the episode and you can watch the rest of the season on the Tikambe Natulande Channel:
Tuesday, 13 September 2016
So this post really isn't about the Inauguration. Zambia decided and some of us may not have gotten what we wanted, but today incumbent President, His Excellency Edgar Chagwa Lungu, is being sworn in. What has come out of this election cycle is that Zambia is a flock of lost sheep who are so desperate for direction. For me the political arena really isn't the place to duke this out, as personally I do not see my principles and my ideals for Zambia even remotely represented by anyone who seeks to serve in that capacity. I have no idea what is going on in that ring, so this bull is using her horns to bust out and explore the great wide world out there for answers and to create my own solutions that hopefully have an impact in some way on a larger scale.
Social media reflecting what people I met around #Lusaka today feel: upset that #ZambiaDecides legacy inflammatory, divisive, tribal. Smh 😢😤— Ngosa Whoopi Chungu (@whoops_c) August 22, 2016
This past weekend I went on an amazing artistic journey quite by accident. I have been in hibernation pretty much all year, trying to put myself back together after inadvertently finding myself the protagonist in what I realised was a Humpty Dumpty phase. Thankfully all the King's horses and all the King's men were not required, but this Queen needed a whole lot of soul searching to reemerge. I may have ended up broken after last year's success, but I am on the mend and patched up enough to move forward. Part of that has been reconnecting with life in Lusaka and thankfully new hope has revealed itself. I have been inspired by our tenacity, and that artists in particular are finding ways to express themselves, even though this is a fearful time in Zambia - a time in which many of us youth are fearful of things regressing so far - that there will be no path for our future, only a way for the archaic, the disconnected, the greedy and the power-grabbers.
We need to be that Mandela quote and be courageous: not let the fear cripple us but be inspired to overcome #Zambia https://t.co/3e9KC6wIpW— Ngosa Whoopi Chungu (@whoops_c) August 28, 2016
On Friday I decided to go to a Modzi Arts event about whether we do indeed have Zambian Literature. One of my girl crushes Mulenga Kapwepwe was on the panel and she talked about how it is clear from the way we write today that we have no idea who we are. We defined only in the past tense, in writers long gone. We take on other people's voices, experiences, their landscapes without having visited and try to co-opt their lives unsuccessfully. We would rather write in broken English, live the life we watch on TV and adopt their truths and their pain, than actually tackle the specifics of our situation. There is nothing wrong with being inspired by others. There is everything wrong with living in someone else's skin with no real understanding of who they are and worse who you are. In order for Zambia to move forward, to create great works, we need to live in our dysfunction, channel that through what we do and manifest, in order to work through and come out the other side wiser, strong and defined. There is nothing wrong with declaring your truth, however untidy it may be. If you are discombobulated, say you are and be done with it. If you need to look back to figure out where you are to move forward, then do so. Take it from someone who has spent their life deranged and confused. I have blogged over and over about how I live in uncertainty - you can still find identity in the unknown...trust me ;)!
Looking back to move forward is exactly what happened the next day. I decided to watch Lenshina, a play about the Lumpa Church Uprising after Independence, as when I got home after the literary discussion, the Internet was lit with rave reviews. And I was not disappointed. Both the UNZA Drum Theatre Troupe skits that preceded the main event and Lenshina were amazingly Zambian and fresh. I laughed, sighed, cringed, "cried", was challenged, affirmed and above all was moved deeply. What I loved most was that none of the actors put on weird foreign accents which Zambians seem to think make them sound cooler, more intelligent, more attractive and unfortunately, not Zambian and therefore better when speaking English. This erroneous view, symptomatic of a deep self hatred and low esteem, a glaring manifestation of the colonised mind that we tend to ignore, brush over and worst of all reward, is disturbingly sad to witness and usually detracts from what is being communicated. I no longer listen to radio because I just can't with most DJs, the most blatant form of rewarding this behaviour. You are enough mwebantu! Just speak with whatever accent you have: it's your truth, it is the audio map of your life, be proud of your journey please! I equally was tickled by the fact that vernacular was used: mostly Bemba and in Lenshina, Nyanja and Tonga were also featured. Also, so chuffed I understood pretty much everything, so could get all the jokes as the scripts deftly interwove English with our mother tongues which is the way we quintessentially communicate. I am so glad that the art respected that. Every Zambian I believe is at least bilingual. One Zambia One Nation would not be able to exist in some shape or form without at least understanding your people and the diversity in the vicinity. At this point may I apologise if you were in at the Playhouse with me on Saturday: in true African style, I cackled, hooted and hollered, gasped and talked back so loud I couldn't help myself. I blame the raucous company I keep. And no it wasn't the wine I drank, it was only one glass he he he. It's how we do on the continent, and it's one of my favourite things about the way we immerse ourselves when suspension of reality is required at the theatre or the cinema. We engage so viscerally and profoundly with art, something that is largely lost in the West. There is theatre etiquette and a separate, more stringent set of rules for the cinema. Ehk! I have been on the receiving end of many a side-eye and tut when I forget where I am when far from home enjoying myself. Okay maybe I'm not that sorry because clearly I have no control...
What made me proud to be Zambian after the performance was the fact that the youth who put together Lenshina, took on a very controversial subject in a time when people are retreating to their corners and are afraid to speak. They were able to comment on today using the past. And they did it in a refreshingly modern way, not limited by the comfort Zambians feel in the familiar. We tend to produce content that is stale, repetitive and tired. Our complacency, which has led to the disquiet and dissatisfaction that has manifested itself in cadre violence, political clamp downs and the loss of our peace and friendliness, has in turn revealed itself in art that proves that imitation is not always the best form of flattery. We may have found comfort in knowing what is coming but it keeps us stagnant. It has stopped us from growing. And knowing that forces wanting to "help" will come and bail us out has put us in a position of begging. And this was reflected in some reactions to the play, asking for more of the story as they felt they enjoyed it so much it should have included everything about the Uprising to make it longer, which completely misses the point.
The play took a particular stand. Unbiased yet strongly pointed. Was Lenshina in the wrong or was Kaunda? The rapier delivery of dialogue built on short sentences and each scene ending with the protagonists accusing each other of having "blood on their hands", perfectly articulated the struggle of defining self and moving forward after colonisation - that One Zambia One Nation was something that needed to be worked at even then. Lives were lost in the struggle and it is up to each of us to come to our own conclusions and most importantly I feel, be inspired by our history not to fall into the same pitfalls our Founding Fathers did. Not to be afraid of different points of view. To allow for nuance. To respect our differences and work harder to find common ground to ensure peace beyond tolerance. I will discuss this much going forward as I launch my new endeavour the ACE Project. The play was timely, evident in the fact that religion played a huge part in the confusion and lies were disseminated on both sides to advance each others causes. Both sides I feel were honourable and authentic in their point of view, but their truths were subjective to their experience and goals which blinded them. That ultimately led to clashes rather than compromise for a better future. To miss those parallels because you weren't given the full story is short-sighted. To not understand that true art fills your soul yet sparks your spirit to want more is an oversight we cannot avoid. If you feel a different presentation was required, create your own chance, write your own play, give us another view. Art is never complete, it is supposed to add to the conversation and facilitate the creation of more. Art is meant to "comfort the uncomfortable and discomfort the comfortable". It is not meant to necessarily answer your questions, but it can give you peace knowing that the questions are out there and that the answers are being searched for, the solutions and being worked on.
This play used that past to give us the language today to communicate what we are feeling, to know that this is not anything new, but also to warn us that just because it has happened before, doesn't mean it should happen again. Repeating history is not an excuse, evidence to be justified in defeat. Instead of praying from a place of hopelessness and not hope, let's help ourselves as deliverance comes to those who demand it through their actions. Ultimately the play was able to contribute to the conversations we are having and inspire us to respond in turn. Despite the rickety theatre, the lack of resources, the cast and crew persevered. Their situation is a metaphor for and the reality of Zambia right now. They were able to find and communicate a painful beauty despite the shadows trying to overcast and obscure. They illuminated their desire to succeed in the most thoughtful and entertaining way. They achieved what great art does, they were able to inspire. Hence this blog post ;}!
Wine o'clock before #Lenshina #Zambia story across the road at the Playhouse with @andi.ngwenya @lonahshawa. #wine #love #pelliefun #ngosa34 #proudlyzambian #supportlocal #lenshina #mafashioA photo posted by Ngosa Whoopi Chungu (@whoops.c) on
#Lenshina was amazing! Processing now but feel so invigorated by the #proudlyzambian art I witnessed today... pic.twitter.com/ivgmIXMtVv— Ngosa Whoopi Chungu (@whoops_c) September 10, 2016
@peternawa great art inspires more art. Glad to see that despite the crazy, we persevere. Expression so important, especially now...— Ngosa Whoopi Chungu (@whoops_c) September 10, 2016
Tuesday, 19 April 2016
One of the beauties of the internet, is I continue to get tangled in webs woven by beautiful Black (and African) women around the world. Twitter is the best place for that. I have met ladies whom I feel I know like the lines on my palms, and yet we have never occupied the same space physically.
|As I have no picture with Malaka, |
I have substituted her with some
sistren eye candy and my latest pic
repping the hooded clan.
Photo taken by Vince Banda
One such dame is one of my favourite girl crushes Malaka. I first came across her when trying to find a transcript of the famous Intellectual Scum conversation by Field Ruwe, but did not really get to know her till we both featured in a Google hangout about African women, sex and love. This lead to the epic Twitter love affair of the hooded sistren. The profound nonsense that we spout out in abundance is so much fun. I get to Big Pun and she shines in her irreverently unabashed, insightful, crazy and intelligent way. She is the sage and I am the jester. And vice versa - I Yoda to her Jar Jar Binks. I look forward to finding nuggets on my TL to jump-off from and flex my witty muscles. I can't wait for us to go on our train excursion. She thinks I'll forget. I have proof-o. Don't make me juju...
@whoops_c Hooded clan session in effect! This is great! I can't wait. Let's hope they don't kick us off for #LaughingWhileBlack— Malaka. (@AbenaGyekye) April 3, 2016
@whoops_c LMAO!!! You know! Let me go and find my white cloth.— Malaka. (@AbenaGyekye) April 3, 2016
So really, she is already aware of my powers so she best not try me. Once she returns to the motherland, we are planning! Yes, it's by force as we say here in Zed.
Anyhoo, back to the point of this post. So Malaka, posted this "old man rant" about how Africans in the West end up pandering to the stereotype of waxing lyrically about the Africa of Heart of Darkness and National Geographic photographs, not the perfectly imperfect blend of tradition and modernity, light and darkness, poverty and wealth, aet cetera, ad infinitum, and everything in between that actually currently exists on the continent. Right now I'm obsessed with nuance: adding more viewpoints to the debates that are going on locally and globally. The article made me think about how we in Zambia are completely suckered into this form of presentation to get the approval of some NGO, to get some accolade, to lure foreign direct investment or a new aid program, to get our names out there. We crave foreign validation to feel worthy. It's sad. We are enough! Just put yourself out there honestly and D'Arcy will like you just as you are Bridget Jones ;}.
This led me to have the exchange with her, storified below. I hope it makes you think about the way we represent ourselves, and about how if we don't allow for nuance, we who are the made the "Other" will remain stagnant. If you are part of the "Us" group, who dictate what rhythms the Other has to dance to, think about your part in perpetuating this nonsense. There should only be one we, a diverse group called the human race, trying to make it the best way they can and accepting of the way others are.
Like this post? You can find more in Twit Tuesday..
For more information about my journey this year and to keep up-to-date with the world of MbA, follow me on Facebook, Twitter and Instagram.
Wednesday, 13 April 2016
If you follow me on social media, you will know that I am one of the 10 celebrity (ehk, that word, but that is what they have referred to all of us as, and everyone else rightly deserves it, soooo) guest presenters on the newly created, groundbreaking show Tikambe, part of a youth-led initiative Tikambe Natulande (Let's Talk in Nyanja and Bemba) that started off as a radio show with social media platforms.
|Selfie with crew after the show. I was styled by Mafashio|
in Kamanga Wear from their Zambia Fashion Week 2015
This Restless Development and BBC Media Action programme, which is also funded by the Swedish Government, is produced by Samba Yonga, whom if you have kept up with the blog, is a dear friend and a media force to be reckoned with here in Zambia. My episode has already aired, and the series is currently showing on Fridays at 21:30 on ZNBC TV1. If you missed out, then here is some insight into my episode and the trailers to get you joining the conversation online, and tuning in from now on:
Tonight's guest on my #TikambeTV show is filmmaker Ngosa Chungu and we had a nice little chat about how we got to this episode:
Me: Can you talk about landing the role on this show and a bit about the interview process?
Ngosa: Samba Yonga (Tikambe TV show producer) is a close friend and we were having our usual monthly lunch and catch up when she told me about this new project she was working on: turning #Tikambe the radio show into a TV show. She asked me if I had listened to it before and I had randomly stumbled upon it on the radio while driving a couple of times.
She then told me some of the guests and the format and I thought it was great and wished her all the best. She then asked if I would be one of the presenters and I was like are you sure, I don't think I am a celebrity! Who knows me and why would they listen to what I have to say?!
Me: Why do you think you were perfect for the show?
Ngosa: When Samba told me that the reason she would like me to contribute was because I am not afraid to speak my mind, and that is needed desperately right now when it comes to youth and sexual reproductive health issues, I couldn't say no.
If there are people who are able to talk about sensitive issues because they see me do so without any qualms, that is a good thing. I also like a challenge and I'm committed to continuing to grow personally and within the communities I can affect, so I asked for a really tough subject to really make the most of this opportunity and be of assistance.
Me: Can you share one secret about behind-the-scenes when filming the episode?
Ngosa: I was so emotional that I was in tears pretty much the whole episode. I really did not want anyone to see me cry, or to ruin everything by being unintelligible. All I wanted to do was stomp around and throw things in anger because I couldn't believe what I was hearing, and I felt so much for the brave youth telling her story. I was a mess, an absolute wreck! I held the chair a lot I think to steady myself.
Me: What are your thoughts on the topic on tonight's episode?
Ngosa: Children do not ask to be born. They end up in this world because men and women carelessly, or thoughtfully, come together and create life. Regardless, it is up to all of us to ensure that once they get here, they are protected until they can fend for themselves. Anyone who takes advantage of a child is the most despicable of the human race. There is no excuse for it and it is a glaring consequence of our collective failure as society. It means something is broken and if we do not take care to check such individuals and prevent further trauma, we are all accountable. It is NEVER the child's fault. It is those in power who are allowed to act in such ways because we do nothing to deter them.
Me: Did this spark any personal ambitions yet unattained?
Ngosa: It reminded me that I have a fire inside that can be used to do more. I am very passionate about my work and the people I love. I have now been opened up to doing things of impact in a more public fashion that mean something. I plan to be more and more engaged and this has actually influenced my next project which will be revealed soon. I am less afraid of being out there I guess, but only for the right reasons naturally.
Tuesday, 12 April 2016
|Yes I am appreciating designer Ms KC's posterior. It was an|
eventful women's month what can I say ;}
During Women's Month I was interviewed by Leelee, a twit whom I have come to love dearly. In saying that I'm probably going to be subject to more crazy and pretence that she is not all cookie dough inside, with some sort of hard exterior comment or a deluge of pseudo-vitriol once she sees this. We know your secret, you love me too lol. The proof is in the pudding (don't get me started on what a weird saying that is...):
@leelabee clearly are no rules. Transpecies transformation is completely up to you. That's a lot Indian, Brazilian hair & dye in your future— Ngosa Whoopi Chungu (@whoops_c) April 2, 2016
The conversation started before these tweets was silly, and ended cray cray. Yaaaah...he he he he...
Back to some semblance of normalcy and to the actual point of this post. I enjoyed a recent article of hers and here is an excerpt featuring my answers to her insightful questions:
You can find the whole article with different questions posed to fabulous proudly Zambian women on Leelee's blog.
To keep up-to-date with everything going on with moi and my projects in Zambia and globally, follow me on Facebook, Twitter and Instagram.
Wednesday, 6 April 2016
I'm a mess. Deranged and confused incarnate. So what's new this Woolgather Wednesday, as I pop my cherry for another year of awesome possum profound nonsense, hopefully with oodles and poodles of posts? Nothing clearly lol ;}.
Over the past 5 years I have written less and less, particularly after I started working on my first film project. The blog is meant to be an open diary of sorts. A place for me to parse information, to sort through issues that have come to my attention that I believe are worth sharing with a larger audience. Always the medicine to assuage my nervous condition which has flared up in the most spectacularly and newly nefarious manner in the last year, because I didn't realise I needed to adapt and evolve how to take care of me. This Ndhlovukhazi Storyteller saw her craft take her all around the world, but her soul was left behind and it took a whole load of crazy in my life, and inadvertent and direly consequential deterioration of my most prized possessions, the many gifts of friendship being affected, for me to wake up from my stupor and right my ship. I continue to apologise to my peeps. You are my everything. I need you in my life. So I will be more careful with myself, as sometimes there is such a thing are being too open. I had to learn that. I used to be too closed off, which led to me learning to be more out there over the last couple of years, which has now I think balanced out :).
|I chose this image as it is one I have used on the blog before and I think|
encapsulates my last five years of storytelling online.
Photo Credit: Chosa Mweemba
So this top 10 is the most pathetic ever, yet genius he he. I am heartily ashamed of myself. I really do need to be more disciplined. I had 8 posts to choose from. Writing really helps the rest of my storytelling. As I embark on my sophomore documentary project, I vow to implement the lessons from my first foray into filmmaking. Without compromising my writing, I pledge to learn and grow in a less destructive way with this new and exciting stab at proudly Zambian and positively African audiovisual storytelling. My journey continues to inform my creativity so I can't be mad at that really, I suppose...
On that note I give you a combination of my favourite posts from 2015 as well as to commemorate the blog turning 5 in May, which I didn't have the time and energy to acknowledge as I was gearing up to launch e18hteam's #ZambiaAtCannes campaign, with my favourite posts of all time with a little insight as to why. See I told you, genius he he:
1. Zed Love 2015
I just reread this and realised that this post encapsulates my creative process. I am always ahead of myself, I then find myself exploring other possibilities, ways of thinking and ideas and then circle back to something I have already noted down or recorded in some way for future reference. To my surprise this post is my next project epitomised in blog form lol. More details on this in about a month or so...
2. Kamanga Wear Love Affair 2015
My love for this proudly Zambian fashion brand is all over my social media and the blog. Last year I officially became a Brand Ambassador after purchasing the most extensive collection of their clothing since 2012.
3. Proudly Zambian InstaStoryteller 2015
I never join a new social media platform unless I can justify my presence there, as there are just too many to jump onto every bandwagon. I gave up on Google+ as it just doesn't fit with the way I communicate online. Same with LinkedIn. Instagram has taken my quest to be a master multimedia communicator as the Ndhlovukhazi Storyteller to a new level and looking at pictures from around the world has really helped with creative inspiration. I really enjoyed documenting Zambeef's e18hteam national tour. I finally can say I have visited all 10 provinces in Zambia now, adding Western and Luapula which eluded me when I went around with Today with Zamtel in 2013. You can find all the photos I posted through #ZambeefInYourTown and/ or the name of the towns we visited: #Kabwe #Chingola #Kitwe #Kaoma #Mongu #Choma #Livingstone #Chipata #Mansa and #Lusaka on my Instagram. (You can find links to all these hashtags in the post above ;))
This post is a great example of my commitment to allowing myself to be comfortable in discomfort. This is also is extended to uncertainty, ambiguity, the unknown. The esteem that comes with knowing that I can be rocked but will find my way back to who I am, what I believe, and the people and things that matter is priceless. Continuing to test it, fortifies this truth I have come to realise.
5. Kindness Ate the Quail 2014
Though I had a conversation about this with my mother at the time in 2014, I got burned in 2015 and uluse lwalile inkwale: kindness ate this quail. Will I stop being kind to the best of my ability, be giving of myself and open to the world? No. Will I be more mindful about whom I let into my life in any capacity in the future and what opportunities I commit to? Absolutely. Learnt a lot. No regrets. Just got to keep growing. My intuition has evolved and my radar is now stronger, so will guide me better going forward.
6. Twit Tuesday Debut 2013
This reminds me that though I tend to be pretty stubborn and fixed in my ways, that opening up myself to new experiences and challenging myself to rethink how I feel about things, can lead to awesome possumness. Still think Twitter is for twits, but enjoy the silly banter it affords with the people I talk to regularly online.
7. Mobile Tales Part I 2012
This post at the time was a light post that epitomised me and my profound nonsense. In retrospect it is one of the strongest symbols of my journey returning to Zambia and sacrificing everything to be a filmmaker. I started on e18hteam in 2012. I did not spend any money on new technology till I finally bought myself a Samsung S5 in March 2015, after suffering through multiple instances of my phone dying in the fashion described. All my money went to the success of the film. I would not spend if I could work around it. Ask my hair lol. Craziness! That's me though. I thank my mother for continually taking pity on me. I am very loved thankfully.
8. Innocent Mugabe 2011
A perfect example of awesome possum profound nonsense. Nuff said!
This post has hit home as Zambia struggles to deal with local socio-economic setbacks coupled with the global fervour powering feminist, as well as gender equality and parity movements. We are not adapting well AT ALL. I have never felt fear manifesting in such a violent way on a regular basis before. I see women cowering and pandering and men huffing and puffing and trying to snuff out our lights. More on this soon he he he ;}
10. There isn't one. Got here and decided not to force it and leave it at 9. This is a celebration of my writing over the last 5 years with a healthy cross-section of posts. Hope you enjoyed it xo.
To sample more, check out the Top 10s from previous years curated on pages listed in the top right hand corner of the blog. For alternate storytelling from this mwana ba afrika, please check out my social media: Facebook, Twitter and Instagram.
Wednesday, 4 November 2015
In Part I, I focused on Kamanga Wear, my favourite designers, whom I now represent officially.
Recently, through my partnership with Mafashio, I have also been introduced to other proudly Zambian designers. My work wardrobe now fully showcases what the country has to offer creatively to fashion. Such an easy yet interesting way to keep the proudly Zambian theme I would like to permeate all that do.
Here are looks I have rocked in the last year:
ChizO Designs velvet and African embrodiery crop top with velvet trimmed stretch skirt, Chitenge Life Clutch and G by Mangishi chitenge and suede shoes
|Photo Credit: PR Girl|
Kamanga Wear crop top and cigarette geometric print trousers I bought during film festival trip to Germany earlier in the year
|Photo Credit: PR Girl|
Poleka Pemplum strapless LBD, Ted Baker clutch and Michael Kors heels
Dress by Desigual that I bought during film festival trip to Spain, with Chitenge Life Clutch
For more pictures and information about Zambian designers, please check out my social media: Facebook, Twitter and Instagram.