For Your Daily Dose of MbA

Microblog on Facebook so follow today :)



AMASHIWI

"Culture is the heritage of us all. some may be more interested than others in the treasures of the past, but no one can fail to take a pride in his country's participation in the story of mankind, as represented in carvings, sculpture, music, paintings and the other arts. And there is a personal commitment to this, for no man can really say he is alone: we are all joined through our identity, with the cultures which are part of the mainstream of life"
- Simon Kapwepwe, Zambian Independence Freedom Fighter

"Success consists of going from failure to failure without loss of enthusiasm" - Winston Churchill

"Try to be the rainbow in someone else's cloud" - Maya Angelou

"Your time is limited so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of others' opinion drown out your inner voice. And most important, have the courage to follow your heart and intuition" - Steve Jobs








Showing posts with label Proudly Zambian. Show all posts
Showing posts with label Proudly Zambian. Show all posts

Friday, 13 October 2017

Failing is A.C.E.

This photo was taken during our first A.C.E. shoot in 2016
Photo Credit: Fortress Media Styling: Mafashio

I have been failing. Spectacularly. All throughout 2016. And I have been winning. Why? Because failure is the route to success. If you are truly creative and or/ entrepreneurial, you live in the certainty of stumbling, mumble fumbling and falling.  A thick skin is required to keep picking yourself up, to keep, and carry on.  In Zambia , it is the norm to pretend like everything is okay, as admitting fault, inadequacy or challenges is seen as weakness, not as an opportunity to innovate, learn and grow. The fear of losing out or giving up power is so ingrained, it stops people from actually realising their dreams because they are spending so much time looking over their shoulder.
Moving on to your sophomore project is always hard.  My first production was a documentary about the Zambian National Football Team aka the Chipolopolo (Copper Bullets) called e18hteam (eighteam).  Last year it enjoyed much success after it premiered in October 2014.  From the unprecedented Zambeef sponsorship of the archival footage rights, to travelling around Zambia and film festivals around the world, winning awards in Indonesia, Spain, the USA, Nigeria and Peru, as well as screening in Cannes, I should be on floating in the clouds, basking in the rays of achievement. That is past glory though and cannot and should not sustain me.  The film continues to go to film festivals and is now used as a tool for motivational talks to motivate, inspire and/ or for cultural exchange, but it is time for a new challenge.
An artist never stops creating and the best place to start is inspiration from the depths of one’s soul.  That is where the African Cultural Exchange project, aka the ACE project, is borne from: a frustration so visceral, the only way to assuage it and turn that negative energy into the positive, is to work through it with my art.  It has taken much to get to this point and I haven’t really started.
Luckily I have 4 amazing people to work with here in Lusaka: 3 Zambians and 1 Zimbabwean. I have dubbed them ZeDream Team, because in another life I was named Big Pun, and they  were my first choice of crazy talent with beautiful spirits to work with. This blog will chronicle the entire process of this multimedia experiment aiming to re-imagine African storytelling, through creativity in all its forms, as I journey with this team down the rabbit hole.
What I have learnt so far, as I have embarked on this sojourn into the unknown, is that I still have much to learn, and that is okay because I believe life is about growth.  Leadership in this new capacity is much harder than I thought.  Collaborating and expressing what is going on in my head to get everyone up to speed is overwhelming, because my brain is too quick and sees everything at the same time perfectly laid out and connected in my head space.  It all makes sense to me, but parsing that out into the world in a way that makes sense is incredibly challenging. Focusing on what I want the project to address first has also taken a while to identify. But we have persevered and things are coming together.
I am known as the Queen of Passion and thankfully this Ndhlovukhazi Storyteller has enough fuel in the tank to keep regenerating, adapting, and is not afraid to change her mind. I am reveling in the uncertainty and in the crazy because beauty is starting to shine through. I just have to trust the process.  Keep tweaking. Keep researching.  Keep bandying ideas around. Staying open and allowing myself to be mentored by the team and people in my life whom I love and trust, while looking for new sources of knowledge and inspiration.
So as we count down to the official launch of the ACE project, to be announced on the blog in due time, please get to know ZeDream team through our Instagram account
In the meantime I will continue to fail spectacularly in style because I know it will all come together in the end.
Here’s to failing spectacularly to success.
For more on the A.C.E. project, bookmark the blog, where this post first appeared, and follow its progress and the ZeDream Team on Instagram.

Wednesday, 1 February 2017

Pellie Reign Reloaded

This photo was taken at PR Girl Media's the Travel Series Zanzibar event in
December 2016 at Latitude 15.
Styled by Mafashio in My Perfect Stitch.
Photo Credit Vince Banda
I coined the term Pellie Reign (#PellieReign): Purple Elephant Reign to signify the way I intend to live life.  This is the era of the Purple Tembo, my production company which derives its name from my favourite colour and my favourite animal - the elephant.  I have no brand. There is no art to what I do.  I basically find a way to incorporate what I love and what I am drawn to, into what I do.  There is no line between my professional and personal, except what I choose to make public or not.  I don't want to have to think about if this or that is on message. I just am.  So sometimes its messy. Sometimes it's slick.  That's life.  That's authentic. Whether it is icky or not, it's true.  

However, I have come to the conclusion that I do need to be a bit more serious about how I put myself out there on social media.  So I have created a new Facebook page to facilitate this.  In 4 days I will turn 35. Every year I create a theme.  Last year was my annus horribilus, and my theme was 34: get off the floor and find that open door. It was that bad.  I turned things around and wanted this milestone birthday to really celebrate the fact that I was able to find the strength to bounce back.  I always pick a rhyming theme so I have come up with:

35. Alive. Thrive.

I am sharing this openly for the first time on a public scale.  My birthday is my new year, so I move forward on my own terms.  I am very excited to share with you all the things in store, that I have lined up.  I will be officially launching the page on Monday the 6th of February. To find out what is just around the corner, please like on Facebook so that you are in the know.  

For previews and behind the scenes you can follow me on Instagram. Don't forget to like my page on Facebook ;}!


Thursday, 12 January 2017

Ndhlovukhazi Storyteller Reloaded

Taken last year at our first the A.C.E. Project shoot by Fortress Media.
Styled by Mafashio
No you have not taken the blue pill. I would highly advise sticking to red with this little one - you don't want to really know how deranged and confused I truly am. However, I am expanding my matrix online by shutting down my public profile on Facebook.  It was originally created as an extension of this blog and a way to be able to connect with the Zambian and African media industry in a more accessible and organic way, that a page wouldn't have been able to do at the time, in my opinion.  However, it is clear I have outgrown it, and the best platform is now a page to interact in a way that I am comfortable with, and makes sense with where I am now, and where I want to go.  So I am in the process of shutting Mwana Ba Afrika down and I have launched the Ndhlovukhazi Storyteller page, aiming to take things to the next level. I believe that this is the best way for me to appear publicly on this platform going forward.  It is definitely the best way to better serve those of you interested in knowing about who I am and what I do in an easily accessible way.  Thank you for your continued support, I really appreciate it xo.  So, please like my new page, and I am looking forward to this new path to go on a journey together!

(To understand my decision better, you can read my Top 10 Posts of 2016, as they illustrate and expound on my growth and metamorphosis: thinking about leadership and finding a way to cope with public life better.)

You can find more information about who I am, what I do and the things I am interested in, from a different angle, by liking my new Facebook Page Ndhlovukhazi Storyteller ;}. 

Monday, 28 November 2016

NGansta vs NG-ma

I have two main moods. Of course I have found a punny and profoundly nonsensical way to express them: 

Taken at KC Vaghela Brand Store Launch this year
by Vince Banda
This is clearly Ngansta lol
NG-ma (n) - play on Ngosa and grandmother (g-ma)
1. introverted, stay at home in the comfort of sweats, hoodie, and fluffy slippers mode; 
2. motherl , loyal and caring side of me;
3. inner voice that stops me from being too crazy, makes sure I take care of myself.

NGangsta (n) - play on Ngosa and gangster (gansta/ G)
1. vivavious, up for anything, spontaneous, open, crazy, outgoing side of me;
2. boldy express myself through my appearance. Don't for anyone else though, but if you enjoy my look hey...
3. leads me into trouble sometimes, forgets to check in and make sure I'm not overworking coz this is the side that fuels the hustler, the boss: the Ndhlovukhazi Storyteller and gets me out and about .

My professional life brought out the curmudgeonly side of NG-ma  for most of the year.  
Connect with me on SnapChat @whoops.c 
At the last minute have bailed on things, or just have flat out hidden away for months at a time in order to recharge and reemerge better, stronger and Ngangsta lol.  These past few months I have been able to actually been the kind of present and supportive friend, Ndhlovukhazi Storyteller, and member of my community that I have been wanting to evolve into for the past couple of years.


Also, just about finding the sweet spot to the balance between NG-ma and Ngansta: the ying and yang, the right ratio of  indivudual and simultaneous expressions of these extremes in my personality as that is what fuels my creativity.  My writing, in particular, suffers acutely when things are out of wack. My family also suffers as my cooking tends to taste like poison and not love when I'm not regulated.  Repatriating has been really hard on me these last 5 years. The opportunity cost of not living in the West has had a huge effect on my support systems, my engagement with the world, how I process life, and how I express myself.  I am finally able to be comfortable in my own skin and with the things I still need to work at. I am finding the joy in imperfection again, as life is best lived in the pursuit of happiness, success and growth despite our flaws, the challenges we face and the pitfalls ahead.


Wishing you a happy Monday and hope that you find the motivation in your own life to keep calm and carry on, and that you are at peace with yourself, even if things aren't quite where you would like them to be right now!

To keep up-to-date daily with the epic battle between NG-ma and Ngangsta follow me on Instagram, and Twitter.


Monday, 24 October 2016

A Reflection on Identity, Growth, Evolution and Freedom on Independence Day

I have been exploring freedom in my life through another Instagram mini-project which ends today with this blog post.

Decided to start a new #ngosa34 #purplereign mini project over the next 24 days leading up to my country's Independence day. Freedom is a hot topic right now as youth in Zambia feel disenfranchised, disempowered and hopeless. Can we liberate ourselves in order to actualise the people we are champing at the bit to be? I choose to look around me for the inspiration, the hope and the tools to make a better future. I believe we have the will to achieve our goals. When I look up in my backyard this is what I see. How can my heart not be warmed, my spirit invigorated and the passionate fire that fuels my soul's purpose not be stoked? Wishing you all a restful and rejuvenating weekend filled with simple joys like this. #lusaka #zambia #suburbs #backyard #palmtrees #blue #sky #sunshine #happiness #love #life #selfcare
A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

I wanted my second project to have a Zambian
production team.  These amazing people inspire
me, challenge me to be and do better and are ballers!
Thank you for being you the Ladies of Mafashio,
Chosa Mweemba and Leelee Ngwenya xo
This post's eye candy is of ZeDream Team, the amazing young Zambians who have accepted the challenge of collaborating with me on my next project:  the African Cultural Exchange project, better known as the A.C.E. project.  A.C.E. is borne from the scary rise in the proliferation of ignorance as fact at home and abroad by the powers that be for their own profit, and not for the advancement for the people they are supposed to serve and protect, whom believe that they are fighting in their corner.  It is a positively direct response to the feeling of youth disenfranchisement that people have shared with me here in Zambia.  These intimate exchanges that I have been privileged to be a part of, due to the status e18hteam has brought in my life as a bi product of its success at home and abroad, deserve a respectful reply with action.  That response comes in the form of a multimedia project that aims to give voice to these issues in creative ways and hopes to be an organic and fluid conduit for people to use as a catalyst in their own lives for conversation, empowerment, growth and evolution.

While creating new culture and eventually traditions, it is important to acknowledge what has been: to understand the existing millieu and values to find a way to bridge the gap.  There is a vacuum in the future to be filled with the new, but in the present we have to contest and grapple with the old, which is not all necessarily bad.  There must be reconciliation to progress - I hope with this project I am able to find a way for generations to see eye to eye so that our elders pass on the best of what was, and help and make way for us to build a better tomorrow on the foundations they have laid.  

At the moment I am going through a process of rediscovering Zambia's past and working my way through books to give me an idea of the present and the promise of tomorrow:



I cannot stress enough how eerily these books echo the famous adage history repeats itself.  Just as Colonel Stewart Gore-Brown thought that he was a good White Man who was a great ally to black people/ Africans, today we see well meaning Westerners come and make a mess of things and exercise their White privilege without thought and acknowledgement.  Worse they continue ignore the blatant racism that exists in the world today which leads to development bias and other perspective shortcomings that ultimately cripple and hinder efforts towards black empowerment and/ or African progress. The man used to beat the crap out of  his indigenous workers and there was a haughty tone of superiority and need for his approval to deem Blacks/ Africans worthy of being the masters of their own fate that muddied his good intentions, which still exists today.  Even though Kaunda was all for non violence during our Independence struggle and was all for universal enfranchisement, it is clear with that situation in Zambia today is a sad legacy of the unfulfilled dream that began to be realised officially 52 years ago.  Our quest for democracy was in direct response to the failure of our freedom fighters to implement the dream and in the two and a half decades since, we have been running around like headless chickens because we have not fully processed our past, so the present is always tenuous and uncertain. Our future is fraught with problems to solve, unforeseen and clear pitfalls we inevitably get lost in and no clear path to salvation. And those in power and who aspire to power may start out with pure intentions, but seem to end up corrupted: taking advantage of our situation with broken promises, misinformation and constant looking out for themselves and not the people.


I have struggled this year to reclaim my identity and to find ways to grow and evolve from my experiences.  Thankfully I have redisovered my liberty to express myself, which was encroached upon surreptitiously.  I have found a way to break free and rise like a true Nkwazi (eagle and symbol of freedom on the Zambian flag). I am inspired by the increasing crack down on freedom of speech and self-expression to speak up. I understand that when you live in such an environment, knowingly or unknowingly, people act in nefarious ways to survive in order to not be crippled by fear or conquered by the crazy themselves. So you just have to forgive but not forget, so you don't make the same mistakes and are on the look out to protect yourself in the future. I choose to be optimistic. I choose to be proactive.  I choose to be the protagonist in my life. I choose to be a harbinger of good in the world.  So I am now in the process of building on the foundations that seemed lost but still are where they have always lain, to move forward whole and unabashedly me both personally and professionally. Hopefully in a way that is of service and is useful in my own small way ;}. I choose to claim the past, warts and all to be able to figure out where I as an individual am now, and where we are as a people to move forward.  I want to learn from our mistakes and crowd source information, experiences and ideas from other Zambians, Africans and global citizens to figure out how to create the future that I want.  To be able to collaborate to manifest the tomorrow that we all believe in that is better, friendlier and equitable.  This endeavour is unclear, and its fuzziness could be a deterrent but the life is a journey.  You never really know when you have arrived till you are no more.  So just go with it.  And that is what I am doing.   

Below you can find my documentary about the Zambian National Football Team: the Chipolopolo's epic and inspirational story of tragedy and ultimate triumph on Video on Demand.  For $3 you get 2 day access to the film.  I now use e18hteam (eighteam) to give motivational, cultural exchange and customised conceptual talks.  If you are interested in how I can help you put forward your idea using the film or if you want to know more about A.C.E. and/ or want to see how we can collaborate, please contact me.





Tuesday, 13 September 2016

Lenshina and the Inauguration

So this post really isn't about the Inauguration.  Zambia decided and some of us may not have gotten what we wanted, but today incumbent President, His Excellency Edgar Chagwa Lungu, is being sworn in. What has come out of this election cycle is that Zambia is a flock of lost sheep who are so desperate for direction. For me the political arena really isn't the place to duke this out, as personally I do not see my principles and my ideals for Zambia even remotely represented by anyone who seeks to serve in that capacity.  I have no idea what is going on in that ring, so this bull is using her horns to bust out and explore the great wide world out there for answers and to create my own solutions that hopefully have an impact in some way on a larger scale.


This past weekend I went on an amazing artistic journey quite by accident.  I have been in hibernation pretty much all year, trying to put myself back together after inadvertently finding myself the protagonist in what I realised was a Humpty Dumpty phase.  Thankfully all the King's horses and all the King's men were not required, but this Queen needed a whole lot of soul searching to reemerge.  I may have ended up broken after last year's success, but I am on the mend and patched up enough to move forward.  Part of that has been reconnecting with life in Lusaka and thankfully new hope has revealed itself. I have been inspired by our tenacity, and that artists in particular are finding ways to express themselves, even though this is a fearful time in Zambia - a time in which many of us youth are fearful of things regressing so far - that there will be no path for our future, only a way for the archaic, the disconnected, the greedy and the power-grabbers.


On Friday I decided to go to a Modzi Arts event about whether we do indeed have Zambian Literature. One of my girl crushes Mulenga Kapwepwe was on the panel and she talked about how it is clear from the way we write today that we have no idea who we are. We defined only in the past tense, in writers long gone. We take on other people's voices, experiences, their landscapes without having visited and try to co-opt their lives unsuccessfully.  We would rather write in broken English, live the life we watch on TV and adopt their truths and their pain, than actually tackle the specifics of our situation.  There is nothing wrong with being inspired by others.  There is everything wrong with living in someone else's skin with no real understanding of who they are and worse who you are.  In order for Zambia to move forward, to create great works, we need to live in our dysfunction, channel that through what we do and manifest, in order to work through and come out the other side wiser, strong and defined.  There is nothing wrong with declaring your truth, however untidy it may be.  If you are discombobulated, say you are and be done with it.  If you need to look back to figure out where you are to move forward, then do so. Take it from someone who has spent their life deranged and confused.  I have blogged over and over about how I live in uncertainty - you can still find identity in the unknown...trust me ;)!


Looking back to move forward is exactly what happened the next day.  I decided to watch Lenshina, a play about the Lumpa Church Uprising after Independence, as when I got home after the literary discussion, the Internet was lit with rave reviews. And I was not disappointed.  Both the UNZA Drum Theatre Troupe skits that preceded the main event and Lenshina were amazingly Zambian and fresh.  I laughed, sighed, cringed, "cried", was challenged, affirmed and above all was moved deeply.  What I loved most was that none of the actors put on weird foreign accents which Zambians seem to think make them sound cooler, more intelligent, more attractive and unfortunately, not Zambian and therefore better when speaking English. This erroneous view, symptomatic of a deep self hatred and low esteem, a glaring manifestation of the colonised mind that we tend to ignore, brush over and worst of all reward, is disturbingly sad to witness and usually detracts from what is being communicated.  I no longer listen to radio because I just can't with most DJs, the most blatant form of rewarding this behaviour.  You are enough mwebantu!  Just speak with whatever accent you have: it's your truth, it is the audio map of your life, be proud of your journey please! I equally was tickled by the fact that vernacular was used: mostly Bemba and in Lenshina, Nyanja and Tonga were also featured. Also, so chuffed I understood pretty much everything, so could get all the jokes as the scripts deftly interwove English with our mother tongues which is the way we quintessentially communicate. I am so glad that the art respected that. Every Zambian I believe is at least bilingual. One Zambia One Nation would not be able to exist in some shape or form without at least understanding your people and the diversity in the vicinity. At this point may I apologise if you were in at the Playhouse with me on Saturday: in true African style, I cackled, hooted and hollered, gasped and talked back so loud I couldn't help myself. I blame the raucous company I keep. And no it wasn't the wine I drank, it was only one glass he he he. It's how we do on the continent, and it's one of my favourite things about the way we immerse ourselves when suspension of reality is required at the theatre or the cinema.  We engage so viscerally and profoundly with art, something that is largely lost in the West. There is theatre etiquette and a separate, more stringent set of rules for the cinema. Ehk! I have been on the receiving end of many a side-eye and tut when I forget where I am when far from home enjoying myself.  Okay maybe I'm not that sorry because clearly I have no control...


What made me proud to be Zambian after the performance was the fact that the youth who put together Lenshina, took on a very controversial subject in a time when people are retreating to their corners and are afraid to speak.  They were able to comment on today using the past. And they did it in a refreshingly modern way, not limited by the comfort Zambians feel in the familiar.  We tend to produce content that is stale, repetitive and tired.  Our complacency, which has led to the disquiet and dissatisfaction that has manifested itself in cadre violence, political clamp downs and the loss of our peace and friendliness, has in turn revealed itself in art that proves that imitation is not always the best form of flattery.  We may have found comfort in knowing what is coming but it keeps us stagnant.  It has stopped us from growing.  And knowing that forces wanting to "help" will come and bail us out has put us in a position of begging.  And this was reflected in some reactions to the play, asking for more of the story as they felt they enjoyed it so much it should have included everything about the Uprising to make it longer, which completely misses the point.

The play took a particular stand.  Unbiased yet strongly pointed.  Was Lenshina in the wrong or was Kaunda?  The rapier delivery of dialogue built on short sentences and each scene ending with the protagonists accusing each other of having "blood on their hands", perfectly articulated the struggle of defining self and moving forward after colonisation - that One Zambia One Nation was something that needed to be worked at even then.  Lives were lost in the struggle and it is up to each of us to come to our own conclusions and most importantly I feel, be inspired by our history not to fall into the same pitfalls our Founding Fathers did. Not to be afraid of different points of view.  To allow for nuance. To respect our differences and work harder to find common ground to ensure peace beyond tolerance.  I will discuss this much going forward as I launch my new endeavour the ACE Project. The play was timely, evident in the fact that religion played a huge part in the confusion and lies were disseminated on both sides to advance each others causes.  Both sides I feel were honourable and authentic in their point of view, but their truths were subjective to their experience and goals which blinded them. That ultimately led to clashes rather than compromise for a better future. To miss those parallels because you weren't given the full story is short-sighted.  To not understand that true art fills your soul yet sparks your spirit to want more is an oversight we cannot avoid. If you feel a different presentation was required, create your own chance, write your own play, give us another view.  Art is never complete, it is supposed to add to the conversation and facilitate the creation of more.  Art is meant to "comfort the uncomfortable and discomfort the comfortable".  It is not meant to necessarily answer your questions, but it can give you peace knowing that the questions are out there and that the answers are being searched for, the solutions and being worked on.  

This play used that past to give us the language today to communicate what we are feeling, to know that this is not anything new, but also to warn us that just because it has happened before, doesn't mean it should happen again.  Repeating history is not an excuse, evidence to be justified in defeat. Instead of praying from a place of hopelessness and not hope, let's help ourselves as deliverance comes to those who demand it through their actions.  Ultimately the play  was able to contribute to the conversations we are having and inspire us to respond in turn. Despite the rickety theatre, the lack of resources, the cast and crew persevered.  Their situation is a metaphor for and the reality of Zambia right now.  They were able to find and communicate a painful beauty despite the shadows trying to overcast and obscure.  They illuminated their desire to succeed in the most thoughtful and entertaining way.  They achieved what great art does, they were able to inspire.  Hence this blog post ;}!





Wednesday, 13 April 2016

Tikambe Natulande Part I

If you follow me on social media, you will know that I am one of the 10 celebrity (ehk, that word, but that is what they have referred to all of us as, and everyone else rightly deserves it, soooo) guest presenters on the newly created, groundbreaking show Tikambe, part of a youth-led initiative Tikambe Natulande (Let's Talk in Nyanja and Bemba) that started off as a radio show with social media platforms.

Selfie with crew after the show.  I was styled by Mafashio
in Kamanga Wear from their Zambia Fashion Week 2015
Collection. 

This Restless Development and BBC Media Action programme, which is also funded by the Swedish Government, is produced by Samba Yonga, whom if you have kept up with the blog, is a dear friend and a media force to be reckoned with here in Zambia.  My episode has already aired, and the series is currently showing on Fridays at 21:30 on ZNBC TV1. If you missed out, then here is some insight into my episode and the trailers to get you joining the conversation online, and tuning in from now on:

Tonight's guest on my ‪#‎TikambeTV‬ show is filmmaker Ngosa Chungu and we had a nice little chat about how we got to this episode:
Me: Can you talk about landing the role on this show and a bit about the interview process?


Ngosa: Samba Yonga (Tikambe TV show producer) is a close friend and we were having our usual monthly lunch and catch up when she told me about this new project she was working on: turning ‪#‎Tikambe‬ the radio show into a TV show. She asked me if I had listened to it before and I had randomly stumbled upon it on the radio while driving a couple of times.

She then told me some of the guests and the format and I thought it was great and wished her all the best. She then asked if I would be one of the presenters and I was like are you sure, I don't think I am a celebrity! Who knows me and why would they listen to what I have to say?!
Me: Why do you think you were perfect for the show?
Ngosa: When Samba told me that the reason she would like me to contribute was because I am not afraid to speak my mind, and that is needed desperately right now when it comes to youth and sexual reproductive health issues, I couldn't say no.
If there are people who are able to talk about sensitive issues because they see me do so without any qualms, that is a good thing. I also like a challenge and I'm committed to continuing to grow personally and within the communities I can affect, so I asked for a really tough subject to really make the most of this opportunity and be of assistance.
Me: Can you share one secret about behind-the-scenes when filming the episode?
Ngosa: I was so emotional that I was in tears pretty much the whole episode. I really did not want anyone to see me cry, or to ruin everything by being unintelligible. All I wanted to do was stomp around and throw things in anger because I couldn't believe what I was hearing, and I felt so much for the brave youth telling her story. I was a mess, an absolute wreck! I held the chair a lot I think to steady myself.
Me: What are your thoughts on the topic on tonight's episode?
Ngosa: Children do not ask to be born. They end up in this world because men and women carelessly, or thoughtfully, come together and create life. Regardless, it is up to all of us to ensure that once they get here, they are protected until they can fend for themselves. Anyone who takes advantage of a child is the most despicable of the human race. There is no excuse for it and it is a glaring consequence of our collective failure as society. It means something is broken and if we do not take care to check such individuals and prevent further trauma, we are all accountable. It is NEVER the child's fault. It is those in power who are allowed to act in such ways because we do nothing to deter them.
Me: Did this spark any personal ambitions yet unattained?
Ngosa: It reminded me that I have a fire inside that can be used to do more. I am very passionate about my work and the people I love. I have now been opened up to doing things of impact in a more public fashion that mean something. I plan to be more and more engaged and this has actually influenced my next project which will be revealed soon. I am less afraid of being out there I guess, but only for the right reasons naturally.

TIKAMBE SHOW TV OFFICIAL TRAILERThe #TikambeTV show has officially been launched. See the trailer below... Watch the first episode tomorrow on ZNBC TV1 at 20:30hrs and#LetsTalk #Tikambe
Posted by Tikambe Natulande on Thursday, 10 March 2016


To keep up-to-date with Tikambe, as well my other projects in Zambia and globally, follow me on FacebookTwitter and Instagram.

Tuesday, 12 April 2016

Women's Month Recap

Yes I am appreciating designer Ms KC's posterior.  It was an
eventful women's month what can I say ;}

During Women's Month I was interviewed by Leelee, a twit whom I have come to love dearly.  In saying that I'm probably going to be subject to more crazy and pretence that she is not all cookie dough inside, with some sort of hard exterior comment or a deluge of pseudo-vitriol once she sees this.  We know your secret, you love me too lol. The proof is in the pudding (don't get me started on what a weird saying that is...):


The conversation started before these tweets was silly, and ended cray cray. Yaaaah...he he he he...

Back to some semblance of normalcy and to the actual point of this post. I enjoyed a recent article of hers and here is an excerpt featuring my answers to her insightful questions:

Q: If you could put on a parade for International Women’s Day, which woman would you put on the main float?
A: I’d put my mother. When I grow up I want to be as graceful, worldly, loving and effective as she is. Despite the constraints of Zambia’s conservatism, she has managed to beat the odds and pursue her dreams.
She raised 3 girls to be strong women and to value education and self-fulfillment, not to just believe that the only role in society females have is to be wives, mothers and children. She showed you can be that and more by being an entrepreneur and recently successfully campaigning to represent Lufwanyama constituency at Parliament. So many people told her she couldn’t do both those things but that didn’t stop her. She’s amazing!
Q: How can young women empower themselves?
A: People may dare to keep you in a box but once you realise the only person who truly puts limits on what you do is you, you have won the battle. If you listen to naysayers you will do nothing. If you look inside yourself to find your potential and the strength to fulfill your dreams, you are empowered and nothing can stop you.
Q: What advice would you give your teenage self?
A: Forget the plan. Life is not about that, it’s about adapting and evolving. If you are rigid, you cannot take the hard knocks and the crazy that will come your way. If you can only succeed when things go your way, you will ultimately fail. If you can’t see beyond what you think you want, you will miss out on great opportunities and will not be exposed to new things and find out that maybe you should go in a different direction. There are many ways to get to what you believe will make life worth living.
Q: How do you define success?
A: Inner peace: No regrets, love from family and friends, passion for life and work that feels like play, contributing positively to the communities you are privileged to be a part of.
Q: What is the best advice a female family member has given you?
A: You are enough. My younger sister tells me that all the time. She is the love of my life and is my number one cheerleader.  She takes me just as I am, as silly, deranged and confused as I may be due to having a creative soul and being a little too cerebral at times.
You can find the whole article with different questions posed to fabulous proudly Zambian women on Leelee's blog.

To keep up-to-date with everything going on with moi and my projects in Zambia and globally, follow me on FacebookTwitter and Instagram.


Wednesday, 6 April 2016

Top posts 2010-2015

I'm a mess. Deranged and confused incarnate. So what's new this Woolgather Wednesday, as I pop my cherry for another year of awesome possum profound nonsense, hopefully with oodles and poodles of posts? Nothing clearly lol ;}.

Over the past 5 years I have written less and less, particularly after I started working on my first film project.  The blog is meant to be an open diary of sorts. A place for me to parse information, to sort through issues that have come to my attention that I believe are worth sharing with a larger audience.  Always the medicine to assuage my nervous condition which has flared up in the most spectacularly and newly nefarious manner in the last year, because I didn't realise I needed to adapt and evolve how to take care of me.  This Ndhlovukhazi Storyteller saw her craft take her all around the world, but her soul was left behind and it took a whole load of crazy in my life, and inadvertent and direly consequential deterioration of my most prized possessions, the many gifts of friendship being affected, for me to wake up from my stupor and right my ship.  I continue to apologise to my peeps. You are my everything. I need you in my life. So I will be more careful with myself, as sometimes there is such a thing are being too open. I had to learn that.  I used to be too closed off, which led to me learning to be more out there over the last couple of years, which has now I think balanced out :). 

I chose this image as it is one I have used on the blog before and I think
encapsulates my last five years of storytelling online.
Photo Credit: Chosa Mweemba
So this top 10 is the most pathetic ever, yet genius he he.  I am heartily ashamed of myself.  I really do need to be more disciplined.  I had 8 posts to choose from. Writing really helps the rest of my storytelling.  As I embark on my sophomore documentary project, I vow to implement the lessons from my first foray into filmmaking. Without compromising my writing, I pledge to learn and grow in a less destructive way with this new and exciting stab at proudly Zambian and positively African audiovisual storytelling. My journey continues to inform my creativity so I can't be mad at that really, I suppose...

On that note I give you a combination of my favourite posts from 2015 as well as to commemorate the blog turning 5 in May, which I didn't have the time and energy to acknowledge as I was gearing up to launch e18hteam's #ZambiaAtCannes campaign, with my favourite posts of all time with a little insight as to why. See I told you, genius he he:

1. Zed Love 2015

I just reread this and realised that this post encapsulates my creative process. I am always ahead of myself, I then find myself exploring other possibilities, ways of thinking and ideas and then circle back to something I have already noted down or recorded in some way for future reference.  To my surprise this post is my next project epitomised in blog form lol. More details on this in about a month or so...


My love for this proudly Zambian fashion brand is all over my social media and the blog.  Last year I officially became a Brand Ambassador after purchasing the most extensive collection of their clothing since 2012. 


I never join a new social media platform unless I can justify my presence there, as there are just too many to jump onto every bandwagon.  I gave up on Google+ as it just doesn't fit with the way I communicate online. Same with LinkedIn.  Instagram has taken my quest to be a master multimedia communicator as the Ndhlovukhazi Storyteller to a new level and looking at pictures from around the world has really helped with creative inspiration. I really enjoyed documenting Zambeef's e18hteam national tour. I finally can say I have visited all 10 provinces in Zambia now, adding Western and Luapula which eluded me when I went around with Today with Zamtel in 2013.  You can find all the photos I posted through #ZambeefInYourTown and/ or the name of the towns we visited: #Kabwe #Chingola #Kitwe #Kaoma #Mongu #Choma #Livingstone #Chipata #Mansa and #Lusaka on my Instagram. (You can find links to all these hashtags in the post above ;))


This post is a great example of my commitment to allowing myself to be comfortable in discomfort. This is also is extended to uncertainty, ambiguity, the unknown.  The esteem that comes with knowing that I can be rocked but will find my way back to who I am, what I believe, and the people and things that matter is priceless.  Continuing to test it, fortifies this truth I have come to realise. 


Though I had a conversation about this with my mother at the time in 2014, I got burned in 2015 and uluse lwalile inkwale: kindness ate this quail. Will I stop being kind to the best of my ability, be giving of myself and open to the world? No. Will I be more mindful about whom I let into my life in any capacity in the future and what opportunities I commit to?  Absolutely.  Learnt a lot. No regrets.  Just got to keep growing. My intuition has evolved and my radar is now stronger, so will guide me better going forward.  


This reminds me that though I tend to be pretty stubborn and fixed in my ways, that opening up myself to new experiences and challenging myself to rethink how I feel about things, can lead to awesome possumness. Still think Twitter is for twits, but enjoy the silly banter it affords with the people I talk to regularly online.


This post at the time was a light post that epitomised me and my profound nonsense. In retrospect it is one of the strongest symbols of my journey returning to Zambia and sacrificing everything to be a filmmaker.  I started on e18hteam in 2012.  I did not spend any money on new technology till I finally bought myself a Samsung S5 in March 2015, after suffering through multiple instances of my phone dying in the fashion described.  All my money went to the success of the film.  I would not spend if I could work around it. Ask my hair lol.  Craziness! That's me though. I thank my mother for continually taking pity on me. I am very loved thankfully.

8. Innocent Mugabe 2011

A perfect example of awesome possum profound nonsense. Nuff said!


This post has hit home as Zambia struggles to deal with local socio-economic setbacks coupled with the global fervour powering feminist, as well as gender equality and parity movements.  We are not adapting well AT ALL.  I have never felt fear manifesting in such a violent way on a regular basis before. I see women cowering and pandering and men huffing and puffing and trying to snuff out our lights.  More on this soon he he he ;}

10. There isn't one. Got here and decided not to force it and leave it at 9. This is a celebration of my writing over the last 5 years with a healthy cross-section of posts.  Hope you enjoyed it xo.

To sample more, check out the Top 10s from previous years curated on pages listed in the top right hand corner of the blog. For alternate storytelling from this mwana ba afrika, please check out my social media: FacebookTwitter and Instagram.






Wednesday, 4 November 2015

Proudly Zambian Fashion More than Just Style Part II

In Part I, I focused on Kamanga Wear, my favourite designers, whom I now represent officially.

Recently, through my partnership with Mafashio, I have also been introduced to other proudly Zambian designers. My work wardrobe now fully showcases what the country has to offer creatively to fashion. Such an easy yet interesting way to keep the proudly Zambian theme I would like to permeate all that do.

Here are looks I have rocked in the last year:
 
ChizO Designs velvet and African embrodiery crop top with velvet trimmed stretch skirt, Chitenge Life Clutch and G by Mangishi chitenge and suede shoes

Photo Credit: PR Girl

 
Kamanga Wear crop top and cigarette geometric print trousers I bought during film festival trip to Germany earlier in the year
 
Photo Credit: PR Girl
 
Poleka Pemplum strapless LBD, Ted Baker clutch and Michael Kors heels
 
 
Dress by Desigual that I bought during film festival trip to Spain, with Chitenge Life Clutch
 
 
 
For more pictures and information about Zambian designers, please check out my social media: Facebook, Twitter and Instagram.