For Your Daily Dose of MbA

Microblog on Facebook so follow today :)



AMASHIWI

"Culture is the heritage of us all. some may be more interested than others in the treasures of the past, but no one can fail to take a pride in his country's participation in the story of mankind, as represented in carvings, sculpture, music, paintings and the other arts. And there is a personal commitment to this, for no man can really say he is alone: we are all joined through our identity, with the cultures which are part of the mainstream of life"
- Simon Kapwepwe, Zambian Independence Freedom Fighter

"Success consists of going from failure to failure without loss of enthusiasm" - Winston Churchill

"Try to be the rainbow in someone else's cloud" - Maya Angelou

"Your time is limited so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of others' opinion drown out your inner voice. And most important, have the courage to follow your heart and intuition" - Steve Jobs








Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Monday, 30 October 2017

Laughter is not always the best medicine



When I saw this I didn't laugh. One, because the joke was not that funny - it was really predictable and has been told by many an African before this comedian. More importantly, it was a poor use of satire, one of my favourite tools we as humans have to communicate really serious issues in a disarming, more accessible way. I don't think when people watched this they thought goodness, I think that Africa is facing another huge preventable health problem, I think they thought this is so true - it's actually our mothers, grandmothers and matriarchs who have always been the problem. The argument was not strong enough and was poorly presented. It was dangerously dismissive of how this profound change in the way we eat can truly affect us. Worse, globally we have been idly seeing the effects for decades, so we here in Africa are literally following suit with our eyes wide open!

Recently there has been a huge explosion of malls and global fast food restaurants have scrambled to have outlets in them. The thing is, because we have heard about the strict standards these brands tend to have, we feel like we have hit a milestone in our development. In the late 90s and early 2000s only South African chains were opening up in Zambia. We now are worthy of such establishments and we find it cool to go eat and be seen there. I wonder how we will react when Micky D's finally comes to town as they are arguably the pickiest when it comes to granting franchise licences as they are finicky about brand consistency, standards and quality control.  We now have these companies sponsoring cool events, bringing more to do in Lusaka and making them ever more appealing. Worse part is they organise giveaways in the compounds (shanty towns) which I personally think is irresponsible - you are creating the perfect storm for brand loyalty from the most vulnerable in our society to seek out food that is cheap and addictive, not that nutritious and that could potential lead to health issues they will likely be unable to deal with. We are so focused on the appearance and financial gains of development without really stopping to think about the consequences

The growing middle class are excited about their new spending power and they are flocking to buy all the processed products found in the supermarkets in the malls that have flooded our neighbourhoods. I have 3 strip malls between 1 to 5 minutes away from me! It's ridiculous. In the same way we turn our nose up at our traditional grain based flour to make our staple food nshima for the trendier, less nutrious maize because it is white (and prettier than the shades of brown millet, sorghum etc produce), more fashionable and less village, we are doing the same with our food purchases. Why go to the market or grow your own food when you can be spotted at the mall with a trolley full of groceries in plastic bags? We love to be decadent and to show off even if it is to our detriment. We already have been unable to deal with HIV, malaria, TB, cancer and now we are going to further strain our resources by adding obesity and related diseases such as Type 2 diabetes to the list ?! The conversations I have had with doctors and medical professionals over the years scare me. Despite all the campaigns backed by government and development agencies that keep telling us this time we shall conquer, it seems our issues aren't really getting any better and the majority of Zambians are still grosssly under-served by our health resources.

I know a lot of people talk about personal responsibility, common sense and how the overweight and obese should be able to control themselves and exercise, but there are so many studies out there that show that the road to gaining weight is a highly complicated one, and for many one fraught with so many pitfalls as they try to regain control with healthier lifestyles. This issue needs to be treated with compassion and where possible thwarted before it has a chance to embed itself into the culture of a place.  Companies can still make money and be responsible about how they market and label their products.  However I feel that here in Zambia in particular, it may already be too late and we are not equipped with the emotional intelligence coupled with the political will to tackle this next real challenge on our health system. 

I had the most surreal experience with a lady I met through friends at a concert. As we were listening to the music, an obese person stood in front of us causing the lady to express with vitriol how disgusting the person was and how could they let themselves go like that and why was she out in public. I was so taken aback by the unabashed honestly and worse the fact that this lady thought that this wasn't cruel, and that she could freely speak to me like that. I replied that you have no idea why the person has put on that much weight, they are likely to be dealing with something physically, psychologically and/ or emotionally. Rather than judgement, that person has the right to dignified humanity from the world around them. I have heard people callously call children fat off the cuff.  We would rather see the overweight as a sign of wealth and health - being HIV-. Sick and/ or poor people are skinny. I don't think we have the will as citizens to push for change. We unfortunately will not be seeing people lobbying for USD42 million spent on gastric bypass operating equipment or doctor's training, the special ambulances and beds to handle the weight the morbidly obese, the medication... 


I am a really healthy eater. I was brought up that way and naturally gravitate to homegrown and home cooked nutritious food. Even though I spent my first years in the UK, my mother befriended Zambia Airways air hostesses to bring her kapenta (dried sardines). Our protein historically came from lean animal and vegetable proteins.  Fish could be caught fresh daily and dried to last months in the heat before we had refrigeration. It does not require large parties to be enjoyed without wastage. Apenta was one of my first words and to this day, one of my favourite fish dishes to eat.   Mum also found a way to grow beans in the cold Northern English climate so we could have chinkamba (bean leaves) to cook authentic traditional nshima meals.  We always had a garden wherever we lived and we grew things. I remember being proud of growing my own groundnuts (mbalala) and strawberries in my patch as a toddler. In Zambia and Kenya we only bought fruits that weren't growing in the garden. Since I moved back to Zambia in 2011 cashiers and/ or peopel in line behind me at supermarkets comment because I don't buy what the average Zambian purchases when they make the trip. I'm always told "you buy white people things" like broccoli, cauliflower, quinces, parsnips, pomegranate juice or assorted seeds like pumpkin and flaxseed. If you follow me on Instagram you will have seen how I love to post about food grown at the farm in my ancestral village, healthy food bought at stores and how I still eat well when I am travelling and eating out. I don't eat fast food often. When I do it's a guilt-free treat because I only indulge a couple of times a year. 

I'm really passionate about this issue. We are a young population in Zambia and across Africa who are destined to be crippled by so many things before we have a chance to bloom.  So I say if we are going to use satire, let's use it wisely and effectively and regardless, we need to be less dismissive and more proactive about this pandemic which I would wager is likely to become the biggest health crisis across the continent in the next decade.  Though I am the Queen of passion, I don't believe in sticking ones head in the sand or up ones ahem to maintain a sense of optimism in life.  So even though I have painted rather a bleak future, even though collectively we are falling short, I believe if enough individuals stand up and fight, eventually as communties, we can change the way we as society deal with obesity. 


Tuesday, 13 September 2016

Lenshina and the Inauguration

So this post really isn't about the Inauguration.  Zambia decided and some of us may not have gotten what we wanted, but today incumbent President, His Excellency Edgar Chagwa Lungu, is being sworn in. What has come out of this election cycle is that Zambia is a flock of lost sheep who are so desperate for direction. For me the political arena really isn't the place to duke this out, as personally I do not see my principles and my ideals for Zambia even remotely represented by anyone who seeks to serve in that capacity.  I have no idea what is going on in that ring, so this bull is using her horns to bust out and explore the great wide world out there for answers and to create my own solutions that hopefully have an impact in some way on a larger scale.


This past weekend I went on an amazing artistic journey quite by accident.  I have been in hibernation pretty much all year, trying to put myself back together after inadvertently finding myself the protagonist in what I realised was a Humpty Dumpty phase.  Thankfully all the King's horses and all the King's men were not required, but this Queen needed a whole lot of soul searching to reemerge.  I may have ended up broken after last year's success, but I am on the mend and patched up enough to move forward.  Part of that has been reconnecting with life in Lusaka and thankfully new hope has revealed itself. I have been inspired by our tenacity, and that artists in particular are finding ways to express themselves, even though this is a fearful time in Zambia - a time in which many of us youth are fearful of things regressing so far - that there will be no path for our future, only a way for the archaic, the disconnected, the greedy and the power-grabbers.


On Friday I decided to go to a Modzi Arts event about whether we do indeed have Zambian Literature. One of my girl crushes Mulenga Kapwepwe was on the panel and she talked about how it is clear from the way we write today that we have no idea who we are. We defined only in the past tense, in writers long gone. We take on other people's voices, experiences, their landscapes without having visited and try to co-opt their lives unsuccessfully.  We would rather write in broken English, live the life we watch on TV and adopt their truths and their pain, than actually tackle the specifics of our situation.  There is nothing wrong with being inspired by others.  There is everything wrong with living in someone else's skin with no real understanding of who they are and worse who you are.  In order for Zambia to move forward, to create great works, we need to live in our dysfunction, channel that through what we do and manifest, in order to work through and come out the other side wiser, strong and defined.  There is nothing wrong with declaring your truth, however untidy it may be.  If you are discombobulated, say you are and be done with it.  If you need to look back to figure out where you are to move forward, then do so. Take it from someone who has spent their life deranged and confused.  I have blogged over and over about how I live in uncertainty - you can still find identity in the unknown...trust me ;)!


Looking back to move forward is exactly what happened the next day.  I decided to watch Lenshina, a play about the Lumpa Church Uprising after Independence, as when I got home after the literary discussion, the Internet was lit with rave reviews. And I was not disappointed.  Both the UNZA Drum Theatre Troupe skits that preceded the main event and Lenshina were amazingly Zambian and fresh.  I laughed, sighed, cringed, "cried", was challenged, affirmed and above all was moved deeply.  What I loved most was that none of the actors put on weird foreign accents which Zambians seem to think make them sound cooler, more intelligent, more attractive and unfortunately, not Zambian and therefore better when speaking English. This erroneous view, symptomatic of a deep self hatred and low esteem, a glaring manifestation of the colonised mind that we tend to ignore, brush over and worst of all reward, is disturbingly sad to witness and usually detracts from what is being communicated.  I no longer listen to radio because I just can't with most DJs, the most blatant form of rewarding this behaviour.  You are enough mwebantu!  Just speak with whatever accent you have: it's your truth, it is the audio map of your life, be proud of your journey please! I equally was tickled by the fact that vernacular was used: mostly Bemba and in Lenshina, Nyanja and Tonga were also featured. Also, so chuffed I understood pretty much everything, so could get all the jokes as the scripts deftly interwove English with our mother tongues which is the way we quintessentially communicate. I am so glad that the art respected that. Every Zambian I believe is at least bilingual. One Zambia One Nation would not be able to exist in some shape or form without at least understanding your people and the diversity in the vicinity. At this point may I apologise if you were in at the Playhouse with me on Saturday: in true African style, I cackled, hooted and hollered, gasped and talked back so loud I couldn't help myself. I blame the raucous company I keep. And no it wasn't the wine I drank, it was only one glass he he he. It's how we do on the continent, and it's one of my favourite things about the way we immerse ourselves when suspension of reality is required at the theatre or the cinema.  We engage so viscerally and profoundly with art, something that is largely lost in the West. There is theatre etiquette and a separate, more stringent set of rules for the cinema. Ehk! I have been on the receiving end of many a side-eye and tut when I forget where I am when far from home enjoying myself.  Okay maybe I'm not that sorry because clearly I have no control...


What made me proud to be Zambian after the performance was the fact that the youth who put together Lenshina, took on a very controversial subject in a time when people are retreating to their corners and are afraid to speak.  They were able to comment on today using the past. And they did it in a refreshingly modern way, not limited by the comfort Zambians feel in the familiar.  We tend to produce content that is stale, repetitive and tired.  Our complacency, which has led to the disquiet and dissatisfaction that has manifested itself in cadre violence, political clamp downs and the loss of our peace and friendliness, has in turn revealed itself in art that proves that imitation is not always the best form of flattery.  We may have found comfort in knowing what is coming but it keeps us stagnant.  It has stopped us from growing.  And knowing that forces wanting to "help" will come and bail us out has put us in a position of begging.  And this was reflected in some reactions to the play, asking for more of the story as they felt they enjoyed it so much it should have included everything about the Uprising to make it longer, which completely misses the point.

The play took a particular stand.  Unbiased yet strongly pointed.  Was Lenshina in the wrong or was Kaunda?  The rapier delivery of dialogue built on short sentences and each scene ending with the protagonists accusing each other of having "blood on their hands", perfectly articulated the struggle of defining self and moving forward after colonisation - that One Zambia One Nation was something that needed to be worked at even then.  Lives were lost in the struggle and it is up to each of us to come to our own conclusions and most importantly I feel, be inspired by our history not to fall into the same pitfalls our Founding Fathers did. Not to be afraid of different points of view.  To allow for nuance. To respect our differences and work harder to find common ground to ensure peace beyond tolerance.  I will discuss this much going forward as I launch my new endeavour the ACE Project. The play was timely, evident in the fact that religion played a huge part in the confusion and lies were disseminated on both sides to advance each others causes.  Both sides I feel were honourable and authentic in their point of view, but their truths were subjective to their experience and goals which blinded them. That ultimately led to clashes rather than compromise for a better future. To miss those parallels because you weren't given the full story is short-sighted.  To not understand that true art fills your soul yet sparks your spirit to want more is an oversight we cannot avoid. If you feel a different presentation was required, create your own chance, write your own play, give us another view.  Art is never complete, it is supposed to add to the conversation and facilitate the creation of more.  Art is meant to "comfort the uncomfortable and discomfort the comfortable".  It is not meant to necessarily answer your questions, but it can give you peace knowing that the questions are out there and that the answers are being searched for, the solutions and being worked on.  

This play used that past to give us the language today to communicate what we are feeling, to know that this is not anything new, but also to warn us that just because it has happened before, doesn't mean it should happen again.  Repeating history is not an excuse, evidence to be justified in defeat. Instead of praying from a place of hopelessness and not hope, let's help ourselves as deliverance comes to those who demand it through their actions.  Ultimately the play  was able to contribute to the conversations we are having and inspire us to respond in turn. Despite the rickety theatre, the lack of resources, the cast and crew persevered.  Their situation is a metaphor for and the reality of Zambia right now.  They were able to find and communicate a painful beauty despite the shadows trying to overcast and obscure.  They illuminated their desire to succeed in the most thoughtful and entertaining way.  They achieved what great art does, they were able to inspire.  Hence this blog post ;}!





Wednesday, 4 November 2015

Proudly Zambian Fashion More than Just Style Part II

In Part I, I focused on Kamanga Wear, my favourite designers, whom I now represent officially.

Recently, through my partnership with Mafashio, I have also been introduced to other proudly Zambian designers. My work wardrobe now fully showcases what the country has to offer creatively to fashion. Such an easy yet interesting way to keep the proudly Zambian theme I would like to permeate all that do.

Here are looks I have rocked in the last year:
 
ChizO Designs velvet and African embrodiery crop top with velvet trimmed stretch skirt, Chitenge Life Clutch and G by Mangishi chitenge and suede shoes

Photo Credit: PR Girl

 
Kamanga Wear crop top and cigarette geometric print trousers I bought during film festival trip to Germany earlier in the year
 
Photo Credit: PR Girl
 
Poleka Pemplum strapless LBD, Ted Baker clutch and Michael Kors heels
 
 
Dress by Desigual that I bought during film festival trip to Spain, with Chitenge Life Clutch
 
 
 
For more pictures and information about Zambian designers, please check out my social media: Facebook, Twitter and Instagram.
 





 

Tuesday, 3 November 2015

Zarty Farty Global Arty

I love art. I yearn for the visceral, transcendent, intellectual and emotional ways in which it invokes the stirring of your spirit and soul, in ways that you cannot fathom or anticipate.
 
Here are some of the pieces I have posted on social media from Zambia and around the world that have touched me to the very core of my being.  I wish you inspiration, comfort, joy and thought from looking at these:




#pelliefun #soulfood #friday This beautiful #ProudlyZambian painting by @nukwasetembo is called "The Fall of Man", but there is something beautifully spiritually uplifting about it. To me it conveys beware of nefarious forces that may creep up on you and despite the trials and tribulations you face, find a way to thrive and your hard work will bear fruit: find the strength to rise and grow if you fall; don't descend into the depths of depravity and despair but find the beauty in an imperfect life. I see the Genesis inspiration as well, but I feel this painting has many profound interpretations. What do you see and feel? #Zambia #Zambian #art #artwork #oil #canvas #painting #Africa #African #africanart #oilcanvas #oilpainting #soulfoodfriday #genesis #bible #treeoflife #tree #forbiddenfruit #fruit #nature #natural #spiritual #religious #inspiration
A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

Friday, 30 October 2015

e18hteam at the Lusaka International Film and Music Festival

Barefeet Theatre Film Night at 2015 Festival hosted at
FreshView Cinemas Manda Hill.
Fresh off e18hteam's win at SVAFF, it is coming back to Lusaka! If you have missed it now is your chance.

The last time it showed was at Barefeet Theatre's Film Night. The film was so highly anticipated, it was over subscribed in the end and kids sat on the floor to accommodate the demand.  I love how much support we are getting from the capital city.  Thank you for your support

Get your tickets within the next week, if you haven't gotten to see it on the big screen yet, from Fresh View Cinema.
 
Friday 6th November
 
17:00
 
e18hteam
 
K100
 
Heads up, you will have to leave work early to beat traffic so plan accordingly. You are welcome for the week headstart to figure that out.
 
So glad people are still excited to go see it. Honoured to have it as part of closing night line up. Thank you to Charity Maruta for including the film this year.  She has been such a supporter since it premiered last year.  Wish LIFMF every success as it continues to grow in its second year and beyond.
 
> whoop whoop #CelebrateZambianhttps://twitter.com/hashtag/CelebrateZambian?src=hash">#CelebrateZambian> #AmAboutThatLifehttps://twitter.com/hashtag/AmAboutThatLife?src=hash">#AmAboutThatLife> ❤ pic.twitter.com/b898LO0rzd&mdash">https://t.co/b898LO0rzd">pic.twitter.com/b898LO0rzd— That African Girl ❤ (@ThaAfricanGirl) October">https://twitter.com/ThaAfricanGirl/status/657518800611446784">October 23, 2015


For more information about all the local, African and global films showing, visit LIFMF website.

To keep up to date with e18hteam,  check the film out on Facebook, Twitter and Instagram.

Wednesday, 28 October 2015

Kamanga Wear Love Affair: Proudly Zambian Fashion More Than Just Style Part I


Kabungo Mumbi- Habeenzu
in signature Kamanga Wear
dress that you can Kamanga
(tie) in many different ways.
That jumpsuit ended up being
my first ever purchase!
It is well documented on this blog that I love Kamanga Wear. My obsession with them started in 2012 out of desperation. I had to help out my Aunt, Miss Zambia 2005, for a Japanese Reality TV show starring her friend Miss Universe 1st Princess 2006. They were convenient and coincidentally, after I introduced myself and what I needed, designers Christina and Donna informed me their Ready-to-Wear brand is very popular with Japanese tourists and residents in Zambia! Kabungo was pregnant and their signature dress was easily able to accommodate her bump, as it can be tied 8 different ways and is a billowy dress that can be cinched in, or not, depending on how you choose to style it. A great last minute solution, as I had been given no time to deliver what was required. We then took the crew and her friend to shop there after touring Lusaka as part of the shoot.  I was Olivia Pope media world style, before she even existed lol.

Kurara Chibana trying on her
gift from Kabungo after a day's
work for Japanese Reality TV
After that, I had to come to my own aid, as I wanted to wear chitenge (aka ankara, kitenge, African print) and proudly Zambian designs when I got my gig as a TV presenter late 2012.  Their clothes fit my body type well, and required little or no alteration, so it was easy to pop in every 2 weeks or so to pick up new pieces and to be fitted to satisfy my wardrobe requirements, working around my crazy shooting schedule around the country.  Their clothes are such versatile, ready-to-wear items that can reflect the whimsical, playful side of me, as well as the serious, baller too.  Thus began our love affair that continues on.

I have the most extensive collection of their clothing according to Donna and Christina.  The only person who can rival me is Mwanabibi Sikamo, Uprooting the Pumpkin blogger and ZedHair co-founder.  We literally have to check in to see if we are planning to wear the same outfit when we know our paths will cross! Recently we coordinated when we were both appearing on TV together as guests on ZNBC's Press Club Live with Chilufya Mwelwa.  We both rocked Kamanga but luckily there was no who wore it better, Sex in the City II Miley-Samantha moment ...


A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

I also own the peplum top Mwanabibi is wearing but in a different print as Kamanga does not use the same print over and over for the same design and within sizes, so each piece is almost unique as they spread material across their collections. You see why we have to check in! I was styled by Mafashio for this TV appearance.

Since last October I have been officially Brand Ambassador for them.  I am so honoured to represent such a quality, affordable, quirky, stylish, edgy, iconoclastic yet classic brand, that uses primarily chitenge, but now also other African and global fabrics, in innovative, vanguard and creative ways. 

I have travelled to Europe and America with the film this year, and of course, Kamanga has come with me. I have dressed for success professionally and have been complimented wherever I go when I have worn something of theirs.  Whether I work hard or play hard, any day can be a #KamangaWearDay and that is why I I love them!

What started off as a way to reconnect with my roots in a way that reflects my global sensibilities, ended up being a way to proudly fly the Zambian flag as a lifelong peripatetic. Thank you for all your comments on social media about my style of dress.  I am honoured to have inadvertently filled you with pride as I represent worldwide.  Happy to continue to show just how cool and creative we are, that we too have much to offer in many spheres such as fashion. Time people got educated. Yes Africans wear clothes and they are stylish too he he he...

Here are some of the looks I have rocked this year. Whether I am representing the film, making a public appearance, or just living life, Kamanga Wear has the ab fab garb to accommodate my lifestyle. Styling is in chronological order.  At this point I am styling myself exclusively.

Custom cigarette tuxedo trousers in African brocade
L-R: Chosa Mweemba, me, e18hteam co-producer Juan Rodriguez-Briso
Photo Credit George Mutale

This was my outfit for the premiere of e18hteam at Fresh View Cinemas, October 2014. My copper jewelry is from Free Zambia, kente bow tie from Ghana (though purchased in Zambia) and my clutch is by Ted Baker.

This photo is an outtake from the Extraordinary Project
Photo Credit Gareth Bentley

This photo was created by projecting e18hteam and smoke to create a rainbow effect in the bush in Chongwe, Zambia at night. The peacock effect is with a palm frond I brought with me from my garden, as I was told to bring something to add to my diminutive frame, so I didn't look like a midget and subsequently not have a strong presence in the photo!


I layered with a black long sleeved stretch cotton shirt, as it was not quite Spring in Spain. Versatility to wear styles in different ways is important so things look fresh.  I am taking a leaf out of The Duchess of Cambridge's book - have much less money than she has so definitely have to repeat, mix and match my wardrobe pieces. That way, when I make public appearances, I am always sporting a new look.

L-R Chitundu Chanda Zambeef Brand Marketing Manager,
Zambeef Board Chairman Dr. Jacob Mwanza, me Zambeef Brand Ambassador,
Zambeef Joint Chief Executive Officer Dr. Carl Irwin,
French Ambassador to Zambia H.E. Emmanuel Cohet
This dress showcases Kamanga's timeless style.  They are great at making classic dresses that are interesting in an edgy, whimsical and/ or quirky way due to their careful selection of prints to reflect these qualities. This was at the press conference announcing the unprecedented sponsorship Zambeef provided to cover e18hteam's archival footage rights and my travel to film festivals.

 I have been working with the wonderful stylists, sisters Kii and Sekayi Fundafunda, of Mafashio since May 2015. All looks have either been put together by these lovely ladies, or I have consulted with them after picking out my outfit.

Custom variation of Kamanga Wear dress made strapless and out of
raw silk paired with a clutch from Chitenge Life and
shoes from Mangishi Love.


Kamanga have recently added jackets to their range and I am taking advantage. I have a lot of basic
monocoloured items that I can mix and match.  I can instantly up the ante with my go-to style, my uniform if you will: leggings/ jeggings and a bodycon top can instantly be more interesting by throwing on a print layer.

L-R me, Namwali Serpell 2015 Caine Prize winner at Audience with
Namwali Serpell event at Foxdale Court hosted by Lusaka Book Club.
Photo Credit PR Girl
I love colour and bold prints. Went all out with high waisted maxi skirt and picked up orange and yellow from the chitenge with my top and leather bag purchased during my trip to Ghana for New Years in 2014.

A photo posted by SVAFF 2015 (@svaff2015) on

Both the dress and the necklace are from Kamanga Wear.

For even more fashion, information about my journey this year and to keep up-to-date with everything going on with the film as well my other projects in Zambia and globally, follow me on FacebookTwitter and Instagram.












Tuesday, 27 October 2015

Proudly Zambian InstaStoryteller

This dress was originally a Men's XL shirt that was trimmed with Zambeef Zamleathe &  turned
into a shirt dress by designer Musha and styled by Mafashio. This picture was taken
during the Livingstone leg of #ZambeefInYourTown. Photo credit PR Girl
I joined Instagram this year, and have found it to be a great way to be a visual storyteller beyond the realm of film, as well as an awesome possum way to document life in Zambia and/ or during my travels.

Twit Tuesday will have to evolve from just Twitter stuff I want to post on the blog, to curating anything on social media where I microblog, so Facebook will be included too henceforth.

Thought I would introduce my instapix through the life changing national tour that Zambeef sponsored. I always dreamed e18hteam would get to be seen by Zambians both in urban AND rural areas, as the story of the Chipolopolo is that of Zambia.  It belongs to all of her citizens and so it was only right I find a way for them to see it.  The sponsorship ensured that a cinetruck took it to them on the big screen for free!  I got to travel the country again, and during my sojourns, this peripatetic turned amateur photographer documented life around Zambia.  I also fulfilled a personal goal of visiting all ten provinces, as during my stint as TV Presenter, I only managed to get my total up to eight. I finally made it to Western and Luapula Provinces. It was a real privilege, and the warmth of the people and their embracing of the film with open arms will stay with me forever.

Hard to do, but I picked my favourite photo from each leg of the trip:

Kabwe, Central Province


Chingola, Copperbelt Province (Kopala)

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

Kitwe, Copperbelt Province (Kopala)

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

Kaoma, Western Province (Kwa Hae)


Mongu, Western Province (Kwa Hae)


Choma, Southern Province

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

Livingstone, Southern Province

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on  

Chipata, Eastern Province


Mansa, Luapula Province


Lusaka, Lusaka Province (Capital City of Zambia)

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on

Chongwe, Lusaka Province

A photo posted by Ngosa Whoopi Chungu (@whoops.c) on  

For more pictures check out me out on Instagram and live tweeted documentation of trip has been curated in #ZambeefInYourTown.

For more about my journey this year and to keep up-to-date with everything going on with the film, as well my other projects in Zambia and globally, follow me on Facebook  too.